Kanzeon Zendo Chronicles: Eyes of Wuji … Light Seeking Eyes

Kanzeon Zendo Chronicles: Eyes of Wuji … Light Seeking Eyes

Wuji, the Zen kitten is the youngest inmate at our Zendo. It is Wuji’s practice to sit at my Window and listen through the Coaching conversations. No idea, what the kitten has found it so amusing to listen to coaching calls !  

Eyes are the mirrors into one's heart mind. Almost 25 years ago, after a visit to Aurobindo Ashram, the only "curio" I bought was a small picture of eyes… just the eyes of Mother @ Pondichery. There was something quite mystical about it. I think that small photo is still there… maybe a bit faded. Still those eyes sparkle with light.

The "curio" was never a souvenir. It was transmission. A point of contact with unknowable in this unknown world. As the Zen koan teaches the way is not in knowing or in not knowing.  Those eyes in a photograph are not merely biological—at that point of time, I felt they are darśana, windows into being. And those eyes have more glitter than that gold domed meditation chamber they were building at Auroville.  We still have that laminated photograph of eyes in Manthari.  Thara’s home. The fading of laminated paper only deepens the power. The sparkle of light is still untouched. I can feel it.

Carl Sagan in one of his documentaries, said that sometimes the stars we see in the sky have disappeared long ago… only the light they emitted still travels, looking for eyes to land in. The star is the saint. The Mother's earthly form is memory, history. Yet her gaze still travels. It landed in me 25 years ago, and lands again each time I look.

The eyes are the real telescope. Not just lenses, but mirrors of heartmind, kokoro. Light doesn't stop at the retina—it enters awareness. That photograph is a telescope, not aimed at galaxies, but at a state of grace.

Wuji is the medium. Limitless, primordial, void of infinite potential. The space through which all light travels. Wuji's eyes— Zendo kitten,  c, ordinary, fragile and feline, yet the medium of limitless presence. The Mother's eyes, the starlight, Wuji the small Zen kitten’s eyes—all vessels of the same formless ground.

And then the eyes of Manu and Rishi… My right eye and left eye.  They were small when they pushed me off the meditation mat, claiming it for themselves. Rishi was looking at with some disbelief; how can one waste one’s time without doing anything and Manu had expressions with his eyes closed. Their expression of that living moment  was playful, innocent, yet luminous in their own way. Not faded, not distant, but immediate. Transmission through laughter, through ordinariness. Their then gaze in that photograph, now reminds me that Dharma is not confined to mats or postures—it arrives in the push, the smile, the sparkle of childhood.

The same goes with Krishnamurti's eyes, too, were spoken of as intense, luminous, compassionate. One could not not notice it in those countless videos of his dialogue. And those who were present in person for his talks vouched for that. A gaze that pierced through thought, dissolving the walls of convention. Observers felt his eyes were darśana, a living transmission, selfless and direct.

And then there is Fr. AMA's eyes. My Zen master. His eyes are a bit of a paradox. Kind and stern. Compassionate and matter of fact. Forgiving and correcting at the same time. He taught me that human beings are paradoxical self. Where finitude meets infinitude, eternal with temporal. And his eyes reflect that. They don't choose one side or the other. They hold both. In one gaze, you feel completely accepted as you are. In the same gaze, you know you are being asked to go further. There is no gap between the kindness and the sternness. They are the same thing, looking at you from different angles. His eyes are the teaching. Not just windows into his being, but mirrors showing you your own paradox. That you too are finite and infinite, temporal and eternal, perfectly imperfect and called to awaken all at once.

So the mandala widens:

The Mother's eyes—promise that light never ceases.

The stars' eyes—light traveling across time, seeking witness.

Wuji's eyes—ordinary, yet the medium of limitless presence.

Manu and Rishi's eyes—innocence, ordinariness, playful Dharma.

Krishnamurti's eyes—penetrating, luminous, compassionate, telescopes of awareness.

Fr. AMA's eyes—paradox embodied. Kind and stern. Forgiving and correcting. The gaze that holds both sides of being human.

And then there was my maternal grandfather. He had moved on the rainbow world more than 35 years ago.  While he was alive (and still i think ), he was respected deeply by all those who met him. One who lived and walked on this earth with a lot of wisdom, compassion, kindness and generosity. And what I still recall in my innermind is the way he used to talk to us , his grandchildren. Especially he was in one of those wise sage mood.   Whenever he had to say something very profound to us, his grandchildren, he would close his eyes.

As I said, he was respected deeply by all who met him. Of course. Because respect is not earned by what we project outward, but by what we contain. His closed eyes told us grandchildren: I am not looking at you right now. I am going somewhere else first. I am consulting the darkness. I am listening to the space behind my own eyes. And what I bring back from there—that is what I will give you.

All the other eyes in this mandala are outward facing. Beacons. Light seeking landing places. Transmission through gaze. But my grandfather—he closed his eyes. This is the other half of the teaching. The inward turn. The wisdom that knows: before light can be received, there must be stillness. Before transmission, there must be silence. Before the profound can be spoken, the eyes must stop seeking and simply be.

While my children's eyes pushed me off the meditation mat. My grandfather’s eyes pulled me inward.

Pondichéry Mother's eyes travelled across time to land in my heart. Wuji is the formless ground from which all light emerges. But Wuji is also the darkness behind closed eyelids. The primordial. The unmanifest. The silence before the word. Krishnamurti's gaze pierced through walls. Fr. AMA's gaze holds the paradox of walls and openness, self and no-self. My grandfather's closed eyes dissolved the walls entirely—not by looking through, but by looking away, into the source.

The first six are variations on light seeking eyes. The last is eyes seeking light—not outward, but inward. Into the darkness where all light is born.

When he closed his eyes, he wasn't shutting us out. He was taking us with him. Into the place where words come from. Into the Wuji behind the eyes.

And then he opened them and spoke.

That pause, that closing, that inward descent—that was the transmission. The words were just its echo.

Light seeks eyes. Eyes seek light. What my eyes saw was a promise: that light, whether from a star, a saint, a cat, a child, a sage, a Zen master whose gaze holds all our paradox, or a grandfather closing his eyes to speak truth to his grandchildren, does not cease. It travels. It waits. And it finds us—if we have the eyes to receive it.

My grandfather's gaze, too, still travels. Still lands. Every time I close my own eyes, I complete his journey.

Together, that journey form a complete mandala of seeing light seeking eyes, eyes seeking light, and finally eyes closing to return to the source.

Sound Matters: A Sonic Pilgrimage

Sound Matters: A Sonic Pilgrimage

Sound matters. Not concept. All ancient traditions knew this. Veda, mantra, sutra, dharani, koan — they are not intellectual puzzles but sonic transmissions. Zen too is deep-rooted in this. My master keeps urging: move beyond concepts. When we get stuck in concepts, we lose our way.

There is a story of a Zen master speaking to Alan Watts. He said there is no need to translate Zen, because the sound of rain in all languages is the same. This struck me deeply. It is the purest teaching. Before the word “rain,” there is the sound. Before the concept of “wet,” there is the feeling. The translation happens in the mind; the experience is direct, universal. This is where we must reside.

Zen practitioners  chants sutras, but Zen also says: Do not cling to words and letters. This is not contradiction. It is rhythm. Sound is presence. Chanting is practice. It is the direct transmission, felt in the bones, not processed in the mind. The koan isn’t solved; it is absorbed until it shatters the intellect.

Frequencies and Harmony

Modern seekers rediscover what ancients knew: sound is not just heard, it is embodied. The Solfeggio frequencies — 396 Hz, 417 Hz, 528 Hz, 639 Hz, 741 Hz, 852 Hz — are said to resonate with human nature, unlocking healing, transformation, harmony.

Verdi’s 432 Hz tuning is another example. Unlike the modern 440 Hz standard, 432 Hz is said to align more harmoniously with natural resonance, with the rhythms of the earth and the human body. Musicians, mystics, and meditators alike speak of its calming, centering effect.

Zen would say: do not get stuck in the numbers. Do not cling to the theory. Listen. Chant. Embody. The frequency is not concept but vibration. The practice is the return to resonance. We are tuning the instrument of our being.

The Uninvited Mantra: Sound of the Inner Anechoic Chamber

But what of the sounds we do not choose? The ones that come unbidden, like a ghost in the machine of our own mind?

A few years back, I landed in deep depression due to Tinnitus. A constant, incurable ring. I suffered because I refused to accept it. I fought it. Friends, talks, psychiatrists helped. But what really helped was when I started meditating on it.

My psychiatrist, at our first meeting, did not rush to prescribe. He told me: no one can withstand perfect silence. The max time one could stay in an anechoic chamber—the quietest place in the world—are just a few minutes. I read about it. In that room, silence is so absolute, so below the threshold of hearing, that you start to hear the sound of your own blood moving. The click of your eyelids shutting. Your body becomes a symphony of noise you never knew was playing.

For those who have done Vipassana, you know this. By the 7th or 8th day, as you go deeper, you start to hear the voice of your own cells. We are oriented to vibration. We are vibration. But not for an anechoic chamber. And not, at first, for Tinnitus.

When you meditate on Tinnitus, you stop fighting. You listen. You realize it is not one flat ghost noise. There are finer nuances to it. It changes tunes and rhythms. It almost becomes musical. You realize: Tinnitus is not different from you. You are Tinnitus.

Once you reach there, it recedes. It becomes a tone in one far corner of the vast galaxy of your brain. The aha moment comes: The silence of the mind is different from the silence of sound. On top of the Himalayas, one can be troubled by the silence. Right in the midst of a Silk Board flyover traffic jam, horns blaring, one can be at peace.

This is the first lesson. Accepting reality as it is. Life is what happens to you when you have other plans. What you resist, persists. Acceptance is not helplessness. It is choiceless awareness. Seeing the borderlines we draw between our experience and ourselves—seeing that these lines are also possible battlelines. And in that seeing, letting the battle extinguish.

 

Expanding the Practice: Listening Across Traditions

So I started listening. To the Heart Sutra, the Four Great Vows, the Wishing Prayer — not only in  Japanese, but also in Classical Tibetan, Sanskrit, Pali and Chinese Mandarin. Each language carried its own cadence, its own resonance, its own transmission. This is not translation of meaning, but embodiment of vibration. Each language is a different sonic key for the same lock.

Heart Sutra Across Languages

  • Classical Tibetan:
    བཅོམ་ལྡན་འདས་མ་ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པའི་སྙིང་པོ།
    chom den de ma sherab kyi parol tu chinpai nyingpo
    “The Blessed Mother, the Heart of the Perfection of Wisdom.”
  • Sanskrit:
    गते गते पारगते पारसंगते बोधि स्वाहा ॥
    gate gate pāragate pārasamgate bodhi svāhā
    “Gone, gone, gone beyond, gone altogether beyond, awakening, svaha.”
  • Chinese (Mandarin):
    揭諦揭諦 波羅揭諦 波羅僧揭諦 菩提薩婆訶
    jiē dì jiē dì bō luó jiē dì bō luó sēng jiē dì pú tí sà pó hē
  • Japanese:
    羯諦 羯諦 波羅羯諦 波羅僧羯諦 菩提薩婆訶
    gyatei gyatei haragyatei harasōgyatei bodhi sowaka

Each language shifts the vibration. Tibetan is earthy, resonant. Sanskrit is sharp, crystalline. Chinese is flowing, tonal. Japanese is clipped, rhythmic. Each is sound beyond concept. The Gate Gate Pāragate mantra isn’t a sentence to be parsed; it is a vehicle to be ridden. The sound is the teaching.

The Four Great Vows (Japanese Zen)

衆生無辺誓願度
煩悩無尽誓願断
法門無量誓願学
仏道無上誓願成

Shujō muhen seigan do
Bonno mujin seigan dan
Hōmon muryō seigan gaku
Butsudō mujō seigan jō

Sentient beings are numberless, I vow to save them.
Delusions are inexhaustible, I vow to end them.
Dharma gates are boundless, I vow to enter them.
The Buddha Way is unsurpassable, I vow to become it.

The vow is cadence. The vow is sound. Its rhythm shapes the aspirational mind.

Wishing Prayer (Samantabhadra)

སེམས་ཅན་ཐམས་ཅད་ཀྱིས་སེམས་དང་བསམ་པ་དག་པར་གྱུར་ཅིག
semchen tamche kyi sem dang sampa dakpar gyur chik
“May all beings’ minds and thoughts become perfectly pure.”

The repetition is sonic dedication. Aspiration becomes resonance.

Om Mani Padme Hum

ཨོཾ་མ་ཎི་པདྨེ་ཧཱུྃ།
Om Mani Padme Hum
“Om, the jewel in the lotus, hum.”

Avalokiteśvara’s vow embodied in syllables. Compassion as frequency.

21 Taras

ཨོཾ་ཏཱ་རེ་ཏུ་ཏྲེ་ཏུ་རེ་སྭཱ་ཧཱ།
Om Tare Tuttare Ture Soha
“Homage to Tara, swift liberator.”

The syllables themselves are Tara’s activity. The chant is protection, not the idea of protection. The vibratory pattern is the swift, motherly response.

Gregorian Chant: Sanctus

Sanctus, Sanctus, Sanctus
Dominus Deus Sabaoth
Pleni sunt caeli et terra gloria tua
Hosanna in excelsis

Holy, holy, holy, Lord God of ghosts.
Heaven and earth are full of your glory.
Hosanna in the highest.

The resonance of Gregorian chant is cathedral stone vibrating with human voice. It is not doctrine but sound. It is an architectural resonance of awe.

Śaṅkara’s Nirvāṇa Ṣaṭkam

मनोबुद्ध्यहंकार चित्तानि नाहं
न च श्रोत्रजिह्वे न च घ्राणनेत्रे ।
न च व्योम भूमिर्न तेो न वायु
चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥

manobuddhyahaṅkāra cittāni nāham
na ca śrotra jihve na ca ghrāṇa netre
na ca vyoma bhūmir na tejo na vāyuḥ
cidānandarūpaḥ śivo’ham śivo’ham

“I am not the mind, intellect, ego, or memory.
Not the senses of hearing, taste, smell, or sight.
Not space, earth, fire, or air.
I am the form of consciousness and bliss — I am Śiva, I am Śiva.”

The cadence of Sanskrit dissolves identity. Each syllable is a negation, each refrain is affirmation. Not concept, but vibration. To chant Shivo’ham is to let the repeated sound dissolve the very "I" that would claim it. The sound does the work.

 Kanzeon Zendo, Perumalmalai

Here at Kanzeon Zendo, Perumalmalai, the name itself is practice of compassion . Kanzeon — Avalokitesvara, Kannon, Guanyin — the Bodhisattva of Compassion who hears the cries of the world. Tara — his emanation, swift motherly response. One listens, one acts. One is presence, one is movement.

Our practice extends into the night. Every single evening, we close with music meditation. We sit in Hakuin Zenji’s Nanso no ho—the Soft Butter Meditation—allowing the body and mind to melt like soft butter, while listening to carefully selected music. The music is not entertainment. It is the container, the environment of resonance in which the "soft butter" of awareness can dissolve and flow. On some blessed nights, when a musician visits, the meditation deepens. The live vibration of guitar, flute, or voice merges with the practice of Nanso no ho. There is no separation. The musician breathes, the listener breathes. The note vibrates, the body vibrates. It is all the sound of rain.

Our broader chanting — Heart Sutra, Four Great Vows, Wishing Prayer, Om Mani Padme Hum, Tara praises, Gregorian Sanctus, Nirvāṇa Ṣaṭkam — is not about concept. It is about sound. Sound as Dharma. Sound as transmission. Sound as ordinariness.

The Zendo becomes a mandala of sound. Tibetan syllables, Sanskrit cadence, Pali rhythm, Chinese tone, Japanese vow, Latin resonance, the note of a flute, the falling rain—all dissolve into one practice. Not separate traditions, but one vibration. In this sonic mandala, the canter is listening-compassion, and every chant, every note, is an arranged element of the integrated whole. We are not blending doctrines. We are experiencing sonic unification. The Dharma has no native language. It is the sound of rain.

When we chant, when we sit with music, we do not explain. We embody. We dissolve. We return.

At Kanzeon Zendo, Perumalmalai, this is our root.
Compassion as sound.
Wisdom as sound.
Aspiration as sound.
Protection as sound.
Presence as sound.

These are not abstract virtues described by sounds. They are activated and transmitted as sound.

Sound matters. Not concept. The pilgrimage is the return to this resonance. To listen, to chant, to melt like soft butter into the note, into the silence after the rain. To dissolve. To return.

 

You Are Here (Even in the Over-Lit Corporate Corridor)…

You Are Here (Even in the Over-Lit Corporate Corridor)…

The voice from the google map app in iPhone tells us to turn left, then right, then merge. We follow the blue dot, but the feeling grows: this is not just a wrong turn. This is being lost in general. The highways multiply, the paths diverge, and we whisper:

 Where am I, really?

We are lost on the over-lit corporate corridors, moving from one identical meeting to another.

We are lost in the labyrinths of relationships—with the dear and near, with friends, or in the outer circles of Dunbar’s number, wondering which connection is true.

We are lost in the marketplace of choices and voices.

We are lost on our own spiritual path, where the signposts are confusing or gone.

We have endless guidance for roads, and none for this.

It is here, in this specific modern wilderness, that David Wagoner’s poem Lost isn't just pretty verse. It is a radical, necessary command.

Lost  by David Wagoner

“Stand still. The trees ahead and bushes beside you

Are not lost. Wherever you are is called Here,

And you must treat it as a powerful stranger,

Must ask permission to know it and be known.

The forest breathes. Listen. It answers,

I have made this place around you.

If you leave it, you may come back again, saying Here.

No two trees are the same to Raven.

No two branches are the same to Wren.

If what a tree or a bush does is lost on you,

You are surely lost. Stand still. The forest knows

Where you are. You must let it find you. “

This applies to anywhere. Especially here. Especially now.

That over-lit corporate corridor? It is your forest. Stand still. Listen to its hum. Let this Here be known. That labyrinth of a relationship? Stand still. Not in silence, but in deep attention. Let the space between you breathe. Ask permission to know it anew. The noise of the marketplace? Stand still. Let the frantic churn become a powerful stranger you observe, before you buy. The confused spiritual path? Stand still. The path is not ahead; it is under your waiting feet.

In Zen practice, there is a bow. You bow to the doorman at the zendo entrance. You bow to the Buddha on the altar. You bow to the person across from you. It is not a bow of blind reverence to others. It is a bow to the Buddha within yourself, and within them. When you bow, you empty yourself—your pride, your rushing, your frantic need to be somewhere else—and in that emptying, the world comes in.

It is the same as swimming. While you struggle in frantic motion, you drown. Only when you relax, when you release the fight, do you start to float. The water was always holding you; your panic was what sank you.

It is the same as Tai Chi. I remember when François taught us at the zendo. He did not rush into teaching forms. He spent a good three weeks teaching us to stand still—Wuji, the primordial stillness. And he said, all Tai Chi movements start by themselves from that stillness. The form does not begin with a step, but with a surrender. The first movement is not made; it is allowed, born from the quiet fullness of standing.

Standing still is that bow. Standing still is that floating. Standing still is that Wuji. It is the surrender that precedes being upheld, the emptiness from which true movement spontaneously arises. Emptying yourself of the frantic navigation so that the forest—the corridor, the labyrinth, the path, the water, the qi—can find you. Can move you.

The poem’s genius is its transferable truth: "If what a tree or a bush does is lost on you, You are surely lost."

If what your colleague's silence does, or the labyrinth's turn, or the marketplace's buzz does is lost on you—you are surely lost. So you must stand still. You must bow. You must stop thrashing. You must find your Wuji. Not to figure it out, but to let it find you. To let it carry you. To let the first real movement begin from you, not through you.

Only when we empty ourselves—when we bow to the Here, when we relax into the float, when we root into the unmoving stillness—does the world come in. The corridor, the labyrinth, the path, the water, the life force... it knows where you are. It has always known. You must let it find you.

You are not a blinking GPS dot,  not a line on a map, not a corridor endlessly lit. You are a breath in a breathing world, a silence that listens, a stillness that bows.

Stand still— and the corridor becomes a forest. Stand still— and the labyrinth becomes a path.

Stand still— and the marketplace becomes a stranger you can greet.

The world has always known where you are. It waits for you to stop thrashing, to empty, to float, to bow.

Here is not a mistake. Here is the beginning. Here is the place that finds you.

You are a breath in a breathing world. And it knows exactly where you are, even here. Especially here. 

 

Chronicles of Meeting: The Languages We Meet In

Chronicles of Meeting: The Languages We Meet In

 

There are four French practitioners in our Zendo this week. Their presence stirred a memory—first through a reel I happened to see of a tuk‑tuk driver in Jaipur who had picked up French from his passengers, and then through my own halting attempts at the language years ago. He was speaking with surprising fluency. After Thara and I got married, she wanted to better her French. She had studied at Church Park Chennai with French as one of her languages and I had my schooling at the notorious KTMHS Mannarkkad ( which the locals often read it as. Kerala Themmadi Memorial roughly translated to Kerala Rascals Memorial School. ) where language of life was taught without any fees. As I am writing, one of my best friends, classmate and benchmate is the current Head Master of that school.  It kind of reminded me, the story of Franklin Roosvelt making. Joseph Kennedy. ( the father of the famous John Kennedy) as the first chairman of SEC in USA.  It was reported one of the President’s aid, reminded him about the crooked and dishonest side (especially in Stock market) of the Sr. Kennedy to President’s notice.  Roosevelt seems to have replied, “It takes one to catch another”.  And my good friend, current Head master indeed reformed and transformed that school .

Back to the French story, so on weekends we would drive down to Alliance Française near Cunningham Road in Bangalore. In those days, the city still had a certain ease, and that part of town was worth visiting just for the atmosphere and food. I too signed up for the course. To the best efforts of my teacher, the only phrase that stayed with me was: “Comment allez‑vous ?”

When Frédéric rode in from Auroville on his bike and entered the Zendo, I greeted him with that phrase. He looked at me with surprise—“You speak French?”—and in that moment, the classroom laughter of long ago returned. I remembered how Thara, my classmates, and even our French teacher would laugh heartily at my expense. What was once comic has now become a bridge.

These days, it is Tamil that surprises me. Sometimes, when I am not self‑conscious, I find myself conversing in the Kodai tongue with the garden workers. But the moment someone comments on my Tamil fluency, the flow collapses. It is like practice itself: when the watcher steps in, the natural ease is lost. The other day, driving toward Dindigul, I began reading aloud the place names painted on the back of a bus. Prakash, our Zendo manager, was astonished. Yet for me, it was simply another reminder: language is not something we master; it is something that meets us when we forget ourselves.

When I shared this Chronicle with Thara as she waited for a doctor’s appointment, it sparked a sudden flurry of French on WhatsApp—messages and voice clips of “Allez, Au revoir, Bon nuit, Bonjour, Merci beaucoup, Très bien.” What began as a memory became play once again. The laughter of the classroom, the greeting at the Zendo, and now the joy of a few words exchanged across a waiting room—all of it, the same language of meeting.

The memory of those French classes also brought back another corner of Cunningham Road—Infinitea, the tea shop we often visited. Thara, though from a family of coffee‑estate owners in Wynad and raised in Chennai, has always been a tea person. My mother, Mysore‑born and long settled in Palakkad, brewed close to a million cups of tea for my father and remains a coffee person till now. And I—well, I am both. A coffee, a tea person. I relish each. Perhaps that too is a kind of practice: not choosing sides, but tasting fully whatever is placed before me. Similarly, we did have some very common interests and common friends... People like Komal, Sheik Iyer, Rajalakshmi, Abhijit and Navita et al are my friends too... We both like movies in Tamil and Malayalam.... And music too...

Then there are things which are absolutely not part of that Venn diagram... For ex: i have Zero artistic ability. Thara is a good painter. And she has zero interest in Tech or Social Media unlike me. .. May be more than the languages we know, it is the language of silence that bonded us. May be the language of heart too is the language of silence. During this Dussera holidays, she chose (at last ) to come to Zendo and meditate. That was a bit of surprise for me. May be the fact that Rishi, my second son, came to Zendo and meditated and had some good words about it, might have been an influence. Even then, Thara is her own person. Though she taught at a Krishnamurti school for more than 16 years and her own Grand uncle was into Krishnamurti, she was not a Krishnamuritite per se. While i read. K, she kind of lived that philosophy without reading or talking about. Closing In the end, whether it is a phrase of French remembered, a few words of Tamil spoken without self‑consciousness, the aroma of tea or coffee, or the quiet presence of Thara sitting in the Zendo, all of it points to the same truth: life speaks in many tongues, yet its deepest voice is silence. And in that silence, we meet—not as teacher and student, husband and wife, or even as speaker and listener—but simply as presence itself.

As Lao Tsu reminds us, it is the empty hub that makes the wheel turn, the silence between notes that makes music, the space in a window that lets in light. And as Gibran wrote, the pillars of a temple do not stand together. Both point to the same truth: it is the space between that allows movement, harmony, and relationship. Without the gap, there is no wheel, no music, no light, no love.

 

The Goalless Goal: Escaping the Prison of the Timekeeper

The Goalless Goal: Escaping the Prison of the Timekeeper

It was my habit to sit in the last week of December, reflect on the year gone by, and write down goals for the year to come. All the “Success” literature reinforced this: write it down, and it will manifest. (Though research says most new gym signees in the first week of January drop out within 2-3 weeks—hence the insistence on annual payments. The percentage of readers who never go beyond chapter one is very significant.) For a long time, I even carried that quote from mountaineer W. H. Murray, attributed to Goethe: “Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now!”. Not that it made any difference to my life per se.  It was one of those things to showcase effort.

And so, during the last week of a December 2022, after "successfully" shrugging off anxiety attacks, sleepless nights, and the annoyance of tinnitus—like that vetala on Vikramaditya's shoulder—by returning to Zazen as advised by my Zen Master Fr. AMA Samy, I wrote down a vow: for the whole of 2023, I will wake up and meditate every single day. No exceptions.

I had read that if you do something for 21 days, it becomes a habit. Considering the amount of failures I had known, I stretched the vow to a year. And I did it. Even during the Qatar World Cup, when matches ended at impossible hours, I still woke at 4 a.m. and sat. Many times during bus rides to Kodaikanal and back to Bangalore, once even in the early morning cab to the airport. The vow travelled with me.

As the Insight Timer announced milestones along the way, my heart swelled with pride—and my ego too, quite a bit. By year’s end, the streak was complete. 365 days. A circle closed. One evening in the early week of 2024, over tea at Kanzeon, I showed it to Fr. AMA. He might have sensed my vain pride.  He smiled, waved it off, and said: “This is not Zen. Zen does not need adrenaline-pumping, teeth-gritting effort.”

Then, with a twinkle, he asked: “Do you count your breaths too like this?”

Zen does talk about Great Doubt, Great Faith, and Great Effort. While it balances faith with doubt, it does not talk much about Great Effort. May be that is  due to  the most important lesson in Zen:  the Great effort in Zen is effortless effort. As the Zen master teaches Prof. Herrigel in that wonderful book Zen and the Art of Archery.

“I seated myself opposite him on a cushion. He handed me tea, but did not speak a word. So we sat for a long while. There was no sound but the singing of the kettle on the hot coals. At last the Master rose and made me a sign to follow him. The practice hall was brightly lit. The Master told me to put a taper, long and thin as a knitting needle in the sand in front of the target, but not to switch on the light in the target sand. It was so dark that I could not even see its outlines, and if the tiny flame of the taper had not been there, I might perhaps have guessed the position of the target, though I could not have made it out with any precision. The Master "danced" the ceremony. His first arrow shot out of dazzling brightness into deep night. I knew from the sound that it had hit the target. The second arrow was a hit, too. When I switched on the light in the target-stand, I discovered to my amazement that the first arrow was lodged full in the middle of the black, while the second arrow had splintered the butt of the first and ploughed through the shaft before embedding itself beside it. I did not dare to pull the arrows out separately, but carried them back together with the target. The Master surveyed them critically. "The first shot," he then said, "was no great feat, you will think, because after all these years I am so familiar with my target-stand that I must know even in pitch darkness where the target is. That may be, and I won’t try to pretend otherwise. But the second arrow which hit the first—what do you make of that? I at any rate know that it is not 'I' who must be given credit for this shot. 'It' shot and 'It' made the hit. Let us bow to the goal as before the Buddha!" The Master had evidently hit me, too, with both arrows: as though transformed overnight, I no longer succumbed to the temptation of worrying about my arrows and what happened to them.”

 Later, on Fr. AMA’s insistence I spent time reading Dr. Steven Hays and studying about ACT. Dr. Steven Hayes’ teaching: that we often write our own prison rules for the mind. Our processes build the prison cells like a smart dictator. While we focus on external freedom and borders, we do not notice that we are prisoners of our own mind. The “shoulds” and “shouldn’ts,” the milestone flags it raises, the appreciation and depreciation notes it throws up on our mind’s billboards.

And when we chase our cast-in-stone goals, guided by the chimes of our smartphone timers, zealously driven by the psychological prison-warden in our mind, we hardly realize that the real achievement is gaining freedom from that prison of the watch.

On the last Onam day, after I missed the annual Sadya and ended up instead with a super lunch with Fr. AMA and Prakash at Kodai International hotel, I spent some time reading about calendars and time. The Kollam Era had just entered its new century—Kollavarsham 1200 in August 2024, now 1201 from August 2025. A calendar born in 825 CE, sidereal solar, still guiding rituals and harvests in Kerala. Chingam 1st, Andu Pirappu, the beginning of Onam.

So many calendars humans have made. Yet most of us stick to the Gregorian one, imposed by empire, just as Greenwich became the zero of time. And more curious still: we inherited this whole architecture of hours and minutes. The Babylonians and Egyptians gave us the duodecimal system—that’s why we have 24 hours and 60 minutes. The French Revolution tried to decimalize time, with 100 minutes in an hour, but it didn’t stick. For millennia, sundials and water clocks (clepsydras) measured in broad strokes. In medieval China, they even used incense sticks that burned at a fixed rate—you could literally smell what time it was. Early mechanical clocks in Europe had no minute hand. The second hand is a very recent invention. We’ve even had human alarm clocks: in Victorian England, “knocker-uppers” were paid to tap on workers’ windows with long poles.

And I see now: just as we count days, we count breaths, we count streaks. We build cages of time, cages of achievement. The streak was my personal calendar. The Insight Timer was my Greenwich. My ego was the minute hand, ticking away, and my pride was the knocker-upper, jolting me awake to meet a man-made deadline.

But Zen says: Now.
Wu Wei says: the river flows without measure.
Krishnamurti says: the observer is the observed.  Or to paraphrase him in my own crude way the achiever is the achieved.

And Khalil Gibran too, in The Prophet, saw time as immeasurable and sacred. He said: “They deem me mad because I will not sell my days for gold; and I deem them mad because they think my days have a price.” He called time timeless, boundless, like love. Not fleeting seconds to be quantified, not a commodity to be sold. He reminded us that yesterday, today, and tomorrow blend into one, that the richness of life is soulful purpose, not profit.

And so the goalless goal emerges not as passivity, but as release.
From outcome to process.
From accumulation to letting go.

From Greed to need.
From time to presence.
From selling days for gold to living them as gifts.

The practice remains—the 4 a.m. wake-up, the cushion—but the why has evaporated. It is no longer a brick in the wall of a spiritual identity. It is simply what I do, as naturally as breathing. And in that naturalness, the freedom the traditions speak of is not something found at the end of the streak. It is felt in the very texture of the sitting itself, unadorned by accomplishment.

And again From Zen in the Art of Archery:

"You see what comes of not being able to wait without purpose in the state of highest tension. You cannot even learn to do this without continually asking yourself: Shall I be able to manage it? Wait patiently, and see what comes—and how it comes!"

I pointed out to the Master that I was already in my fourth year and that my stay in Japan was limited.

"The way to the goal is not to be measured! Of what importance are weeks, months, years?"

"But what if I have to break off halfway?" I asked.

"Once you have grown truly egoless you can break off at any time. Keep on practising that."

Zen, which grew within the Mahayana stream, reflects this spirit of non-standardization. It resists being carved into fixed formulas. Instead of clinging to texts or doctrines, Zen points directly to experience: the sound of the wind, the rustle of a leaf, the ordinariness of attention. Where Theravada often emphasizes preservation, Zen emphasizes immediacy.

This brings us to Ikkyu, the great iconoclastic Zen master. A man once asked him to write down a maxim of the highest wisdom. Ikkyu took up his brush and wrote a single word: Attention.
The man frowned. “Is that all?”
Ikkyu calmly wrote again: Attention. Attention.
The man, now irritated, said, “I don’t see much depth in what you’ve written.”
So Ikkyu wrote a third time: Attention. Attention. Attention.
Exasperated, the man demanded, “What does this word mean, anyway?”
Ikkyu replied gently: “Attention means attention.”

The story is deceptively simple, but it cuts to the heart of Zen. Wisdom is not hidden in elaborate doctrines or clever formulas. It is in the quality of our attention—to breath, to thought, to the rustle of a leaf, to the ordinariness of life. And yet, being attentive cannot be taught by anyone.

The breath, after all, never counts itself. It just rises and falls. And in that endless, unmeasured rhythm—from the very first inhalation at our birth to the last exhalation at our death—everything is already complete.

What I Learnt by Walking Straight on the Road with 99 Curves: Notes from a Late Bloomer

What I Learnt by Walking Straight on the Road with 99 Curves: Notes from a Late Bloomer

20 Dec 2025 . Saturday evening 6 pm.

As I was getting into the bus at Kodaikanal bus stand, Amma called. I told her I would call back, and after settling in my seat, I did. She was checking whether I would be coming to Ramapura to visit her. I said yes. Just before the call ended, she asked me whether my training at Kodaikanal had got over. Over the last three or so years, that is what I had told her. She knows I am in a temporary consulting assignment, and she has always been concerned about my future. Last time we met, that was the question in her mind: while my peers in the IT industry are doing well, what ails me? She usually quotes two names she remembers—Komal and Bops—and very wisely, she does not compare me with my own cousin. She knows my past fights at the workplace. And then she cushions the criticism by adding it’s just her concern for Manu and Rishi and my own well-being. It seems nowadays no one really cares for another, and it’s important to have financial security. It quite baffles her that her son, who spent some 30 years in IT, hasn’t learnt it. So, just before the call ended, she asked me again what I am learning new at Kodaikanal, and will it get me a better job. I was about to say yes, and then I did not say it.

Krishnappa, my friend, was the main driver. He is one of my new friends, gained from my three years of regular trips between Blr and Kodaikanal. Now he treats me as though I am also part of KSRTC. When the bus stops at Battalagundu for dinner or early morning coffee near Krishnagiri, he always makes it a point to tell them, “Nammavaru” — our man — so they don’t charge me either.

He was nearing retirement, proud of being one of the early members of the KSRTC Volvo fleet. One summer night, with an extra bus on the route, he suggested I sit in the front seat. I agreed, forgetting my severe fear of heights. For an hour, I was okay. Then, nearing Rat Tail Falls, he overtook a slow car. In that moment, the big bus covered the available width of the mountain road, and I saw the distant lights in the valley like a midnight sun. We were on the just the edge. A sudden, infinite fear switched my senses to high wattage. I got up and moved back to the safety of my seat.

Later, at dinner, he asked gently if I had been frightened. Then he told me, with a calm that was almost Zen-like, that in over thirty years he had not had even a small accident. A state cabinet minister had once asked him to be his personal driver. It was the confidence of a man absolutely sure of his craft—a mastery so complete it needed no explanation, only the steady grip on the wheel and the knowledge of every curve in the dark.

I had fallen asleep after that, and he woke me up for early morning coffee this time. And once I was back in the bus, the questions and concern of Amma popped into my mind. I could not go back to sleep.

I started reflecting on my last three years at Kanzeon Zendo. What did I learn? The second part of her question—whether it will get me a better job—somehow did not land in my mind.

What did I learn… as a late bloomer in the afternoon, if not the late evening, of my life?

Maybe I learned that my path was never meant to be a straight line. It is a spiral. I look at friends in straight lines—they knew what they wanted at 20, achieved it by 25, solidified it by 30. And then there is me. Starting and stopping. Pursuing passions until the meaning drains away. Years that look like stagnation outside, while inside I am fighting wars no one else sees. I remembered a line that found its way to me, as if by some meaningful coincidence: "The first half of life is merely a preparation. A clearing of the throat before the actual speech begins." For people like me, maybe this first half wasn't for achievement. It was for the friction needed to wear away everything that is not you.

I read something else that felt like it was written for me. It said: You are not failing to launch. You are undergoing a gestation period that is proportional to the size of the destiny you are meant to carry. The teak tree by the side of the forest near my window at the Zendo does not grow at the speed of the grass. Maybe that’s it. Maybe I was building a foundation for a skyscraper, when everyone else was pitching tents. It made me think of another idea: that "until you make the unconscious conscious, it will direct your life and you will call it fate." All this time, feeling adrift, perhaps I wasn't being passive. I was in the difficult, essential work of turning a fate I didn't choose into a destiny I could understand.

The teachers appeared as guides in that work. The first was Orie.

His name means ‘light’ in Hebrew. He was at the Zendo when Hamas attacked Israel across the border. He had been one of those who chose to stay with the IDF beyond his mandated service. But after one operation, witnessing the outcome scene, he quit to seek peace. For seven or eight years since, he had been travelling from one monastery to another across India, Sri Lanka, Burma, and East Asia.

He was built like a panther and moved without making any sound. He would often come late to the meditation hall, tiptoeing in like a cat, and no one would notice his arrival. He had the most tranquil way of debating. On the day of the Hamas attack, we spoke for a long time. He was cool as a cucumber. He taught me Spinoza’s statement: “There are two sides to any story, however thin you slice it.” He said the koan of the sound of one hand clapping was true, because in almost all conflicts, whether you feel like the victim or the tyrant, you are only ever hearing the sound of two hands.

I had wanted to learn the Wim Hof method to do takigyo, the waterfall misogi, at the Zendo—that ancient practice of standing under icy water to purify the body and mind, to seek oneness with nature. Orie told me Wim Hof was a pale imitation and taught me Tummo instead, the inner fire. As we were bonding as friends, he left without announcing it. He just slid a small piece of paper under my door. It said: thank you. O. And nothing else.

Then there was the visitor from Japan. For a week, an elderly Japanese woman stayed at the Zendo. According to her registration form, she was in her early eighties, yet she was the first to complete her full prostrations during chanting—nimble, healthy, and carrying a profound peace. She wanted to visit The Potter’s Shed in Kodaikanal, and I went along, thinking I could stop at the Pastry Corner afterwards. As I went to open the car door from the traffic side, she gently stopped me. She taught me the Dutch Reach: using the hand farthest from the door to open it, which forces your body to turn and your eyes to look over your shoulder—directly into the blind spot where a cyclist might be. It was a safety technique, yes, but she framed it as more. She told me it was an individual’s compassionate and wise response that, when done by many, becomes a community ritual. 

“Compassion for the person in front of you is easy,” she said. “Being compassionate to the one you cannot see, the one who is unknown to you—this is the deepening of the way. It is how we begin to live the vow: ‘Though sentient beings are innumerable, I vow to save them all.’” Enlightenment in a gesture. A small, physical twist to protect an unseen other.

And then, Francois. My journey to him was a spiral of its own. I first heard the word "Tai Chi" from U.G. Krishnamurti, later saw it in Milwaukee, and for years in Bangalore, my wife Thara and I learned the Long Form until life, like the Silk Board flyover, threw its spanner. At the Zendo, split between jungle and city, I couldn't restart. Then I saw him on the terrace—a French martial artist who had spent twenty years in Japan and China. His movement was a perfect symphony. I asked him to teach me. He paused in his considered way, and finally agreed.

For Francois, Tai Chi was not an exercise but a way of living. He took four weeks just to teach us how to stand in Wuji and to master the Tai Chi walk. No forms. Just standing. Just rooting. Root before you rise, he would say. In that endless, patient standing, I finally understood what I had been doing all those years in my career spiral. I wasn't failing to build; I was in the Wuji of my life—the silent, potent stance where all potential gathers before the first movement begins. It was the physical truth of the teak tree growing its roots.

But most importantly, there was Fr. AMA. I first met him properly at a Koan seminar in 2022, as the new Zendo was being built. After hearing my story of living on the edge, his simple suggestion was: do Zazen. By January 2023, I became a regular at the Zendo, taking to Zen as a fish to water. Yet, my questioning mind never stopped. Over three years, I must have asked him a thousand questions, some provocative. He was the only person in my life who never took offence. A mentor in our Sangha once wrote in his autobiography about seeing me in the Zendo, noting how my questions often gave voice to what others wondered but dared not ask, calling it a "questioning spirit and generous heart." After two years of this, Fr. AMA asked me to join him, and I moved in as a full-time student of Zen.

What did I learn from him? Above all, compassion. He taught that without compassion, there is no point in being on the Way. It is as important as enlightenment, if not more. Then, wise discernment—that crucial mindset where great doubt, great effort, and great faith must walk together. It is not about blind acceptance, but about testing everything against the stillness of your own practice. And lastly, the profound importance of striving to live an ordinary life of peace and joy. His teachings became the vessel that held all the other lessons: Orie’s two sides, the visitor’s mindful gesture, Francois’s rooted stance. He taught me how to hold them, question them, and let them shape a life.

And I owe the very possibility of this three-year immersion to another teacher of a different kind: my boss, Robert Meier. A Swiss national in a high-pressure role leading a corporate transformation, Robert was the rarest kind of manager. Amidst immense pressure, he never sacrificed his truthfulness, honesty, or his inherent kindness and compassion. He was, in his own way, a Zen Boss. When he heard of my need to be at the Zendo, he allowed me to work remotely from there. For almost three years, the quiet of the meditation hall existed alongside the digital pulse of my consulting work. One thing he told me has stayed: whenever he had to deliver a difficult truth to the powerful, he would say he was prepared to do any job, even clean public toilets, but he would never sacrifice his authenticity and professionalism out of fear. In him, I saw that the "unshakable" security I sought wasn't just spiritual—it could be a quiet, formidable force in a boardroom, too.

There were, of course, so many others—Christa, Olaf, Meath, Robert Amor—a constellation of fellow travellers at the Zendo who offered their own quiet lessons. That gratitude is for another day.

Then came the lessons that turned the path inward, towards home. When I shared Fr. AMA's invitation to live at the Zendo with Thara, my better half, she paused. Then, calmly and lovingly, she said, "You should take it. It is a calling and you are not seeking anything. Don't worry about anything else. We will take care of the home." In that moment, I learned that love also means letting go, not holding on.

And one morning during breakfast, Rishi told me, "Zen seems to be good for you, Papa." I asked him why. With a smile, he said, "You are not random anymore. We all relate to you better." That is when I understood what Krishnamurti meant: we know ourselves only in the mirror of our relationships. My stillness had become a space they could lean into.

So when Amma asks what I learned…

I learned to sit with the silent suspicion that I failed before I began, and not let it drown me.

I learned that my exhaustion is not laziness—it’s from processing reality at a higher resolution.

I learned that the world needs people who can follow instructions, but it also needs those who can rebuild the instructions when they no longer work.

And from Krishnappa, I learned Nammavaru.

Our man. Belonging without a badge. A free coffee that tastes of community. And a mastery of the spiral path so deep, it feels like stillness.

The bus moves on in the dark. The road is a spiral, not a straight line. Jung said the privilege of a lifetime is to become who you truly are. For a long time, that privilege felt like a burden. But in the humming dark of this bus, surrounded by the smell of diesel and the quiet breaths of sleeping strangers, it feels less heavy. Maybe that’s how some of us find our way—by circling closer and closer to the centre, where the answer isn’t a job, but a man, finally becoming who he is.

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