The Song of Silence That Remains…

The Song of Silence That Remains…

The Music Around Me (Inheritance)

Music was always present in the background of my life, though I never claimed it as my own. My late father, Sankara, was a devoted fan of Rafi and Mukesh. In our home stood an old radio, and before that, I remember an even older one—so old it required a license from the post office. Listening to Vividh Bharati and Ceylon Radio was a daily ritual. My father often spoke with fondness about how Rafi would visit Thalassery for annual concerts, and those stories carried a kind of magic, even if I did not yet understand the music itself. 

Around me, others carried the thread forward. A cousin of my father in Mannarkkad was a flutist, his son a skilled mridangam player. Our family friend, Dr. Anju, now balances her life as a doctor and a singer. I still remember attending her very first concert when she was a child—watching her step onto the stage with a voice that has since grown to embrace Carnatic, semi-classical, and even pop.

Even in my own home, music appeared in unexpected ways. My elder son, Many, learned tabla for a while, and though he dropped it midway—as children often do—his teacher at TVS insisted he had talent. My younger son, Rishi, sings, strums the guitar, and listens widely. Yet both of them, true to the Krishnamurti school spirit, resisted any attempt at dictation. For them, music was never about performance or achievement. It was simply part of life, woven into their days without showmanship.

Looking back, I see that they were living out something I only discovered later: music is not about being “talented” or “rhythm deaf.” It is about how it inhabits the spaces of our lives.

The Music I Found (Awakening)

For much of my early life, I was not even a listener of classical music. Perhaps I was rhythm deaf, or perhaps I simply stood outside its circle. But one day, on Church Street in Bangalore, I picked up a CD—Colours by Kunnakudi Vaidyanathan and Ustad Zakir Hussain. That album opened a door. I began to build a small collection of instrumental music, and slowly, listening became a quiet practice.

When I moved to the Zendo, music took on a new role. Each evening, we chose music for meditation. Sometimes, visiting musicians played live. At other times, I curated recordings—Kitaro, Hikari Ōe, Naomi Sogbe, and others. Fr. AMA was particular about the choices, and I learned to listen with care, to sense how sound could prepare the ground for silence.

Through Rishi, I discovered Agam, the Carnatic progressive rock band. He insisted that all music is good music, and I began to hear through his ears. Their fusion of Carnatic depth with rock’s energy felt like a bridge between traditions, a reminder that music is always evolving, always finding new forms.

The Music That Remains (Revelation)

A long time back, in 2015 i guess, i was attending annual KFI conferences in the verdant settings of KFI, Rajghat. And they organised a concert on Kabir, by the side of Vasantha college , under that giant and old peepal tree by the side of ganges. There were diyas around and stars and moon in the sky to give us some light. There were no sound boxes or other artificial enhances. And that atmosphere, kabir dohas, melodious siinging, it was just mesmerising and just seeped into my heartmind.

But then not all music connects. I once heard T. M. Krishna at The Valley School, but something in his manner left me distant. By contrast, Harish Sivaramakrishnan of Agam felt closer—perhaps because of his spiritual intensity, perhaps because his birthplace was near Mannarkkad, perhaps because his music carried both rootedness and rebellion.

I once tried to attend an Agam concert in Bangalore, but the tickets sold out before I could get them. Still, their recordings reached me. Their third studio album, Arrival of the Ethereal (2025), was their most ambitious yet, with a hundred-piece orchestra recorded in Czechoslovakia. One track, The Silence That Remains – Mokshamu Galada, lingers with me.

Its words echo a truth I have come to know in Zen practice:

What is longing but the soul remembering something once held— and lost?

When the body fades, when the curtain falls, what remains?

For those who never sought—emptiness. For those who clung—regret.

For those who fought the tide—fear.

But for those who saw, who surrendered, who walked open handed and unafraid— silence. light. freedom.

 And still, the song remains, whispering:

Did you find your way home,

or are you still searching in the dark?

When the music fades, what remains is not the sound but the silence it reveals. That silence is not empty—it is luminous, alive, free.

The Teacher’s Voice And Hakuin’s healing ( Integration)

Once, to a question of mine, Fr. AMA said:

“I too had a long struggle with religions, orthodoxy, sexuality and SJ. What I can tell you is it is possible to go beyond them and continue your spiritual journey. It is tough and not easy. But possible. Zen did help me. What I can’t do is to explain to you how to do it. You got to find a way and do it by yourself. But being aware, is a right start. Also remember, Humour makes humans. Animals are not known to have it. Some humans too. That is what makes us not only cope up, but successfully face the absurdity of our life. Please remember Humour and Music elevates the human mind. They are very much part of Zen.”

His words stay with me. They remind me that music and humour are not diversions from the path, but companions on it. They are ways of lifting the mind, of facing the absurdity of life without despair.

During another question and answer, Fr. AMA told us why music . meditation is as important as Zazen, or Samu.

It so seems Zen Master Hakuin, who wrote the Song of Zazen

Zen Master Hakuin suffered from what he called “meditation sickness”—a burning sensation in his chest and mental agitation from overzealous practice. He was healed by a Taoist hermit who taught him the “Butter Method of Meditation”, a visualization practice that soothed his nervous system. Later, Hakuin himself recommended healing practices that included sound and chanting, showing how music and vibration can restore balance when meditation becomes excessive fierce and uncompromising in his youth, once drove himself into collapse. His practice was fire—unceasing meditation, relentless striving, a refusal to rest. The body rebelled. He described it as “Zen sickness”: burning in the chest, agitation in the mind, sleepless nights.

Seeking relief, Hakuin found a Taoist hermit, Hakuyū, who offered not more effort but gentleness. The teaching was simple, almost childlike: imagine soft butter melting from the crown of the head, flowing slowly down through the body, soothing every nerve and bone. This “Butter Meditation” restored him. The fire cooled. Breath returned. Practice became whole again.

The Music of Healing

Though Hakuin’s cure was imagery, the principle is the same as music: vibration, rhythm, and softness that re-tune the body-mind.

Chanting sutras is not performance but medicine—breath and sound aligning with heart.

Temple bells and gongs are not decoration but resonance—waves that settle agitation.

Silence itself is music, the pause between notes, the butter melting into stillness.

When meditation becomes too sharp, music reminds us of roundness. When practice burns, sound cools.

In our own Zendo, music is not entertainment. It is presence. The bell before Zazen, claps before kinhin and meal gatha, the chant that rises and falls, the quiet hum of voices sharing tea—all are therapies for the subtle sickness of striving.

Hakuin’s story is not about weakness but about balance. Even the fiercest Zen master needed butter, needed sound, needed softness. His sickness became his teaching: practice must heal, not harm. And so, perhaps the silence that remains is not solemn, but smiling. A silence alive with laughter and song. A silence that is, in itself, the song of Zen.

Usually at the zendo, we play recorded music.. Sometimes, when a musician visits us, it is live music. Yesterday for evening music meditation, a very accomplished French violinist and composer Chloe Netter performed. And in between , there was a silence.

It kind of transported me back in time to that Kabir concert by the banks of Ganges.

Sound is a path to silence, and that silence, when attended to, is itself a song.

A Celebration for Nothing: Pizza, Zen and the Inner Shrine

A Celebration for Nothing: Pizza, Zen and the Inner Shrine

Perhaps that’s what this is—a long journey brought to stillness in a shared meal, a remembered verse, a slice of pizza in the hills. No reason. Every reason. A celebration for nothing. For everything.

It was a Celebration for nothing… mean no particular reason… per se…

Today morning, I was watching again the documentary An Original Cloud in the Mountain. And after that we, Fr. AMA, Prakash, Sreenath, Robert, Inaki and I, headed for a Sunday pizza at George’s Gourmet Kitchen. George is a Canadian settled in Kodai Kanal… and many have vouched that he makes really good pizza. (That many includes my second son Rishi and many of our guests who have travelled around the globe.)

On the way, Jill Mistry, who is the Director of the movie, stopped our vehicle for a lift… She was on her way to Kodai town for a haircut. She was asking me to visit her and Cyrus. While Cyrus Mistry is a well-known award winning author and playwright, she is into films. And Rohinton Mistry (who wrote those best sellers A Fine Balance and Such a Long Journey; who got nominated for the Booker Prize thrice and even made an appearance in Oprah Winfrey’s talk show) is Cyrus’s younger brother. And to add to all that, Jill’s and Cyrus’s son is into Psychology and Counselling. So whenever we meet, endless talk on movies, books and psychology. She was also telling me that she was into shooting a documentary on the lives of tribals. There is a tribal hamlet a bit far off from Kodaikanal, where they still live their ancient ways, closer and in alignment with nature. Jill was telling me that they are more spiritual than many others in the modern world.

And during the pizza lunch, I was telling Fr. AMA that just today morning I was watching the documentary, here she is…

Sometimes life is like that. It is wonderful as it is. Hence the Celebration for nothing…

Please do watch that documentary at Kanzeon Zendo you tube channel. ( if you can spare some 50 minutes.) It is on Zen. Some of the scripts I remember from that movie are from Fr. AMA on his Zen vision… and that wonderful and most spiritual poem of Tagore from Gitanjali.

From Fr. AMA:
“I am often asked to what religion I owe my allegiance. I say I stand in the in between of Advaita Hinduism, Buddhism and Christianity. My vision of Zen is dynamic and liberative though I am rooted in the Buddhist tradition I have gone beyond its approach and yet differs in varying degrees from that are many Buddhist teachers…..

The mind is emptied so that the world can be received as it is. It reflects the world as it presents itself. It is consciousness becoming conscious of itself like a mirror that reflects whatever comes before it, itself being empty of colour or form. Now it’s a universe becoming conscious of itself, stepping forth and manifesting itself…..

You are the universe and the universe is yourself. When you sit in meditation it’s Earth sitting, it is a mountain sitting. When you breathe it’s a universe breathing and when you walk it is a universe that is walking….

The heart is a mystery here where the Divine and the human meet. The way is perfect like vast space where nothing is lacking and nothing is in excess. Indeed it is due to our choosing to accept or reject that we do not see the true nature of things….

In Zen there is no why. Zen does not try to explain suffering or evil or any of the ultimate realities of life. Why is there suffering? So that you may respond to it. Why do I suffer? So that I may bear it. You are called and you respond to the call. You become yourself only in this call and response.
You are Buddha, become Buddha. To use Christian terms in the light of Zen you are Christ and you are called to become Christ who bears and suffers all. There is no God outside of you. The only answer is to respond in your compassionate action to the suffering and the broken. When you pervade the world with the consciousness of compassion and love, you are the awakened Bodhisattva.”

Tagore’s Gitanjali
“The time that my journey takes is long and the way of it long.
I came out on the chariot of the first gleam of light,
and pursued my voyage through the wildernesses of worlds
leaving my track on many a star and planet.
It is the most distant course that comes nearest to thyself,
and that training is the most intricate which leads to the utter simplicity of a tune.
The traveller has to knock at every alien door to come to his own,
and one has to wander through all the outer worlds to reach the innermost shrine at the end.
My eyes strayed far and wide before I shut them and said “Here art thou!”
The question and the cry “Oh, where?” melt into tears of a thousand streams and
deluge the world with the flood of the assurance “I am!””

Some 40 years back, I had read an old Malayalam novel written with the background of Kodaikanal Astronomical Observatory—Pullippulikalum Vellinakshathrangalum (Spotted Leopards and Silver Stars). It was serialized in Mathrubhumi Weekly and I might have read it when I was in high school. Written by C. Radhakrishnan, a famous Malayalam novelist known for his wonderful fiction work with a lot of metaphysical background.

Last time, after the sesshin got over, we went to a pizza at George’s Gourmet Kitchen and on the way back, I saw that Kodaikanal observatory. I did share with Fr. AMA about the novel I had read some 40 years ago, written by a scientist who worked there and with a lot of metaphysical underpinnings. And laughingly but very affectionately, Fr. AMA told me: no wonder you have reached the same place.
And today before our sesshin starts, we went again for a pizza at George’s.

And as Tagore wrote so wonderfully:
The time that my journey takes is long, and the way of it long… The traveller has to knock at every alien door to come to his own… and one has to wander through all the outer worlds to reach the innermost shrine at the end.

Perhaps that’s what this is—a long journey brought to stillness in a shared meal, a remembered verse, a slice of pizza in the hills. No reason. Every reason. A celebration for nothing. For everything.

The Pied Piper’s Tune: On Spiritual Gurus, Corporate Leaders, and the Surrender of Our Critical Mind

The Pied Piper’s Tune: On Spiritual Gurus, Corporate Leaders, and the Surrender of Our Critical Mind

My concerns about the modern “guru”—a title that now stretches from ashrams to boardrooms—are simple and twofold.

First, does the person on the stage actually know what they’re talking about? Have they genuinely walked the path they’re selling, or is it just polished rhetoric? Second, and more dangerously, what do they do with the authority they gather? Too often, the answer points toward the oldest temptations: power, privilege, and personal gratification.

The mechanism for gathering this authority is often the same: the demand for total surrender. It’s a call to “have complete faith in me, my way, and what I say.” It’s the subtle (or not-so-subtle) instruction to park your critical thinking at the door, to keep your questions in abeyance, and to simply follow. This isn’t a relic of medieval spirituality; it’s the bedrock of modern influence.

I saw this play out in real-time recently. A venerated corporate leader was interviewed live by a famous media personality. Before a large, attentive audience, he staked a controversial claim. He leaned in and declared, with absolute conviction, that he was stating a “FACT.” Not an opinion, not a perspective—a fact. The crowd, a sea of people nearly all holding smartphones—literal fact-checking libraries in their pockets—nodded and absorbed it as sacrosanct truth.

A simple check proved his “fact” was wrong. I even shared the details beneath the video later in Linkedin. Yet, the reluctance to accept the correction was palpable. The spell of the moment, the aura of the speaker, was more powerful than a verifiable truth.

And this game doesn’t only play out on spiritual or corporate stages. Think about it: a person in deep distress, seeking a therapist’s help; a coaching client investing in their potential; a young child looking up to their teacher; a fan pouring admiration into a celebrity. In each of these relationships, a natural power differential exists, built on a legitimate need—for healing, growth, knowledge, or belonging. This is precisely where the Piper’s tune finds its most vulnerable listeners. The dynamic can morph, subtly or overtly, from guidance into control, where the healer, coach, teacher, or star becomes the sole, unquestionable source of what the seeker desperately needs.

This is the essence of the Pied Piper’s power. It doesn’t work through logic, but through a magnetism that asks for our trust in exchange for our discernment. As sociologist Paul Heelas observed in studies of modern spirituality, people often reject traditional authority only to surrender to new, charismatic forms of it. We exchange one piper for another.

Mariana Caplan, in her book Halfway Up the Mountain: The Error of Premature Claims to Enlightenment, diagnosed this same malaise in contemporary spirituality. She warned that seekers and teachers alike often mistake charisma, altered states, or partial insights for full realization—and then prematurely claim enlightenment. The danger, she argued, is not only in the teacher’s illusion but in the seeker’s surrender of discernment. When we hand over our authority too quickly, we become vulnerable to fraud, confusion, and exploitation. Caplan’s critique echoes the Pied Piper metaphor: the tune is seductive, but it leads us away from freedom into dependency.

And this is not new. History is littered with such tunes—whether in medieval cults, fascist rallies, or corporate “visionary” speeches. The melody changes, but the mechanism remains: charisma eclipses scrutiny, and authority bias blinds us to fact. Even today, with confirmation at our fingertips, the enchantment of certainty often outweighs the quiet labor of verification. Psychologists call this authority bias: the tendency to accept statements from perceived experts without question. Add confirmation bias—the desire to hear what fits our worldview—and the Piper’s tune becomes nearly irresistible.

The true guide, then, is not the one who demands we stop thinking for our journey. It is the Kalyan Mitra—the “good friend” or fellow traveler—who walks beside us. This is the therapist who empowers your inner authority, the coach who mirrors your own wisdom back to you, the teacher who ignites your curiosity beyond their own knowledge. This guide doesn’t ask for surrender; they empower our scrutiny. They don’t offer a tune to follow blindly, but a mirror to see our own path clearly. Where the Piper plays louder, the friend invites silence. Where the Piper demands obedience, the friend cultivates discernment.

John O’Donohue, in his Celtic meditation Anam Cara, speaks of the soul friend in precisely this way: as one who dissolves masks, who sees you as you truly are, and who walks with you in intimacy and authenticity. The anam cara is not a master but a companion, not a Piper but a mirror. In such friendship, the soul finds recognition and freedom.

The Buddha, too, told Ānanda that spiritual friendship is not half the holy life but the whole of it. In the Samyutta Nikāya (SN 45.2), he declared that with admirable friendship, companionship, and camaraderie, the Noble Eightfold Path unfolds. The radical claim here is that awakening is not built on surrender to authority but on the wonder of camaraderie—walking together, questioning together, supporting each other.

In a world full of Pied Pipers claiming to have the only map, the most radical act is to hold on to your own compass. To listen, but also to verify. To respect, but also to question. Because the tune that leads you to surrender your critical mind never leads to freedom; it only leads to the next cliff edge, with someone else in control of the music.

Freedom is not found in the tune that enchants us, but in the pause that lets us listen. The true guide is not the one who plays louder, but the one who helps us hear our own music. To walk with such a friend—whether as anam cara or kalyāṇamitra—is to keep our compass alive, even in a world of pipers. Better than following a tune is learning to hear the rhythm of your own footsteps. It is my lived experience that, transformative growth happens in the soil of egalitarian, trusting relationship, not in the shadow of unquestioned authority.

The Paradox of Ego, Desire, and the Shifting Self

The Paradox of Ego, Desire, and the Shifting Self

A few days, happened to write in response to a WordPress prompt: What historical moment fascinates you the most? I said the most historical moment for me was my own birth.

A kind response to that reflection wondered aloud if such a statement was egoistic. That question itself opened another gate for me—into the paradox of ego and desire. Perhaps that concern comes from a certain religious conditioning—that moksha or mukti must mean the annihilation of ego, the killing of all desire. I do not know if that hypothesis is true. What I do know is this: for human beings to live a good, functional, phenomenal life, a healthy ego is a must.

Our existence is paradoxical. We are where infinitude meets finitude, the eternal with the temporal. We can only realize the Self through our own consciousness—through the very ego we are told to erase.

Try this simple experiment: hold your breath for a few moments. The desire to breathe in, to live on, is our most natural desire. Without it, there is no life, no practice, no realization. So one cannot be egoless and desireless.

The real question, then, is not whether ego and desire should be annihilated, but:

  • What is a healthy ego?
  • What is a wholesome desire?

Let us begin with ego…

What we call Self / I / Other / World are not fixed identities. The borderlines between self and other, I and world, keep changing like a shifting sand. In a sense, self-realisation is the dissolving, the sublimation of that line altogether. But as the Zen koans remind us, one cannot function in that place for long. One must return—to this world, to the marketplace, to the ordinary rhythms of living. Modern psychology offers its own language here. Winnicott spoke of the “true self”—a healthy ego that allows spontaneity, play, and authentic living. Jung described individuation—the process of integrating fragments of psyche into wholeness. Both point to the same truth: ego is not to be annihilated but clarified. In Dharma terms, ego is not the enemy but the raft. Without it, we cannot cross the river; with it, we must remember not to cling once the crossing is complete. And this borderline is not a single line at all, but a continuum—stretching from finitude to infinitude. Take a simple example: when I sit on a chair and say my chair, the border is drawn where my body rests on the wood. The chair is the “other.” But when I say my hand or my leg, suddenly that which is outside me is also claimed as mine. The borderline has shifted inward, now lying between me and mine. Follow this chain of logic and you find it is endless in both directions.

Where does the “I” end and the “world” begin? Is the breath I draw in mine or the worlds? Is the food that becomes my body still “other”? Even the thought that says I—is that me, or is it something arising within me?

Advaitins keep referring to Advaita Vedanta’s never-ending refrain of neti-neti— “not this, not that.” Each identity we cling to, each border we draw between self and world, is gently negated. The chair, the hand, the breath, even the thought “I”—all are peeled away until what remains is the unnameable Self, beyond attributes.

 Yet Zen diverges.  Zen insists we return. After the silence of dissolution, we must still sweep the floor, cook the rice, and bow to the neighbour. The paradox is clear—Vedanta dissolves, Zen re-enters. Together they remind us that realization is both transcendence and ordinariness, silence and sound, vastness and marketplace.

Zhuangzi, the Taoist sage, once dreamed he was a butterfly. Upon waking, he wondered: was he a man who had dreamed he was a butterfly, or a butterfly dreaming he was a man? This wasn’t just whimsy—it was a radical questioning of the solidity of the self and the world. Zhuangzi constantly shifted perspectives to show that what is “true” depends entirely on one’s standpoint. He didn’t resolve the paradox—he danced with it.

The borders keep moving, like waves on the shore. Sometimes they dissolve altogether, and we glimpse the vastness where self and world are not two. But then, inevitably, the tide returns, and we find ourselves once again in the marketplace—buying vegetables, greeting a neighbour, saying this is mine, that is yours. It is here—in the weighing of tomatoes, in the bargaining for onions, in the smile exchanged with a neighbour—that realization is tested. Not in exalted states, but in ordinariness. The marketplace is the true koan: do we cling to “mine” and “yours,” or do we walk lightly, allowing the world to fill us in?

When one becomes egotist, then for them only they exist, and the other does not. But when we are empty of self, then the world fills us in.

Turning now to desire, and what makes it wholesome…

Buddhism itself makes a subtle distinction here. It speaks of two kinds of desire:

  • Tanhā – craving, thirst, the clinging that binds us to suffering.
  • Chanda – wholesome aspiration, the clear and steady wish that leads toward growth, practice, and liberation.

So, the problem is not desire itself, but the way it is held. When desire hardens into tanhā, it narrows and enslaves. When it opens into Chanda, it becomes a path, a current that carries us toward freedom. In many mainstream interpretations, moksha, mukti, nirvana, swarga, and heaven are precisely conceived as an escape—a final release from the painful, relentless cycle of birth, death, and rebirth (samsara) on this Earth. And many traditions teach the way out of this to kill the ego and discipline the desire. Sometime back, I read a caption on the T-shirt of a young tourist in Kodaikanal. It read: “Everybody wants to go to heaven, but no one wants to die.” I was struck by the absurdity of that quote. Many don’t realise that living here, right now, is heaven.

Religions often seem to have trained us to believe in a heaven “out there”—a distant reward to distract us from our pain here. We’re told to sacrifice our joy, suppress our desires, and endure suffering for a paradise that never arrives. It’s like a carrot hung in front of cattle—always just out of reach. Infact In Mahābhārata, Bhishma Parva urges the warriors that virgins wait in heaven for their valour and death in the battlefield.

In verse 6.11.13, Sanjaya declares to Dhritarashtra:

“Those who die in battle, having fought bravely, attain the regions of the righteous, where celestial nymphs wait upon them.”

The battlefield becomes a portal to heaven, and death becomes passport and visa. But what gets lost is the heaven of this life—the heaven of ordinariness, of compassion, of presence.

By the way this motif isn’t unique to the Mahābhārata. In Norse mythology, warriors who die in battle are promised entry into Valhalla, where they feast and fight eternally under Odin’s gaze. The valour of death becomes the ticket to glory. In Islamic martyrdom traditions, especially in certain militant interpretations, paradise is promised to those who die defending the faith—often described with vivid imagery of gardens, rivers, and companions.

Even in Indian traditions, moksha or mukti is often described as a state of eternal bliss—freedom from rebirth, from the cycle of earthly pain and suffering. In other words, another metaphor for heaven. Swarga, Vaikuntha, Kailasa—each tradition paints its own celestial landscape. But the paradox remains: we long for liberation from this world, even as the teachings whisper that liberation is found in this world.

My reflection, however, leans into a different, though equally ancient, interpretation found within those very same traditions. It’s the voice that questions:

What if the goal is not to escape the world, but to see it correctly?

This is the radical non-dual perspective within Vedanta, the “nirvana is samsara” of Mahayana Buddhism, and the “ordinary mind is the Tao” of Zen.

From this vantage point:

  • Heaven (Swarga) vs. Moksha: In the traditional ladder, swarga is a temporary, pleasant abode—a reward for good deeds, after which one must return to Earth. Moksha is the final release from that very cycle. But we often treat moksha itself as a super-sized, permanent swarga—a “better place” elsewhere. This longing for “elsewhere” blinds us to the sacredness of “here.”
  • The Problem isn’t Earth, it’s Ignorance: The suffering isn’t inherent in the world, but in our avidya—our distorted perception. We suffer because we cling to what is impermanent as if it were permanent and believe the fragile ego to be the whole truth of who we are.
  • Liberation is a Shift in Perception, not Location: When ignorance falls away, the world isn’t negated—it is transfigured. The same marketplace, the same breath, the same neighbour, is seen in its true nature—as luminous, empty, and inseparable from the divine ground of being.

So perhaps the eternal bliss of moksha isn’t the antithesis of earthly life, but its fulfilment. We don’t leave the world to find heaven—we discover heaven by fully, awake-ly, living in the world. The raft (ego) isn’t burned because it’s evil, but because the crossing is complete. One stands on the further shore, only to realize the shore was always right here, and the river was an illusion of perception all along.

So we return, as always, to the paradox of ego and desire. At the beginning, they seemed like obstacles—something to be killed, disciplined, erased. But now they appear as gates. Ego is the raft, desire the wind. Without them, there is no crossing. With them, there is danger of clinging, of craving.

The task is not annihilation, but clarification.

  • Ego clarified becomes openness, a self that is porous, playful, and free.
  • Desire clarified becomes aspiration, a current that carries us toward compassion and ordinariness.

When ego hardens, the world shrinks. When desire distorts, the heart thirsts endlessly. But when ego softens, the world enters us. When desire steadies, the path unfolds beneath our feet. Perhaps this is the paradox: we do not transcend ego and desire by destroying them, but by letting them dissolve into their true nature. Ego as transparency. Desire as aspiration. Both as companions on the way.

And then, as always, we return to the marketplace—smiling, bowing, buying onions. Heaven is not elsewhere. It is here, in the ordinariness of breath, in the neighbour’s greeting, in the stray dog’s eyes. And the other shore is not the shore of Nirvana, but of our present life—this breath, this neighbour, this stray dog, this marketplace. Ego and desire do not vanish; they are clarified, softened, made transparent. They return with us to the ordinariness of living, no longer chains but companions.

The realisation / enlightenment or whatever we name is the understanding that  there is no non-dualism without dualism, no day without night, no life without death and no yin without yang. Realisation is not the erasure of opposites, but the seeing that opposites are inseparable.

 

On the Way of Fireflies and False Lights and Borrowed Brilliance

On the Way of Fireflies and False Lights and Borrowed Brilliance

Btw Nature as we call it is not all about serene views and instagram photo shoot opportunities… As every Rose comes its thorn, nature too comes with its own paradoxes….. After rainfall, especially regions like Tamil Nadu, it’s common to witness swarms of winged insects. They are winged termites or ants… (they are not Fireflies) Attracted to artificial light, and die within hours.. gathering around artificial lights.. interesting thing is they are alwys swarm near to blue or white elctric lamps.. anot the yellowish ones. aFter swarming, they shed their wings and die quickly.. Naturalists say especially if they fail to. mate of find shelter.. And often in the mornigns yo see piles of dead insects near the map. By the fireflies are biolumiescent insects that emit light from their abdomen. And they are not attracted to artificial light in the same way. They are not known to swarm and die en masse around eletric lamps.

This natural paradox is a powerful metaphor for our own lives and careers. How often are we, like the insects, drawn to the “borrowed brilliance” of trendy ideologies, external validation, or the glamour of someone else’s success? This mindless swarming is not true community, and such attraction rarely leads to meaningful union or purpose.

This challenge of navigating external noise is not new. Steve Jobs articulated it perfectly when he explained the core of Apple’s marketing philosophy, saying:

“This is a very complicated world; it’s a very noisy world. And we’re not going to get a chance to get people to remember much about us. No company is. And so we have to be really clear on what we want them to know about us.”

This is the corporate equivalent of the firefly’s path. Jobs understood that the only way to cut through the “noisy world” was not to swarm towards the artificial lights of competitors or trends, but to be radically clear about your own core identity—to generate your own light from within.

May be that is why Buddhs said to us “appo deepo bhava” and. Krishamurti wrote ““It is only when you are a light to yourself that there is freedom.” The insects teach us: Not all light is guidance. Not all swarming is Sangha. Not all attraction leads to union.

Let us not be drawn to borrowed brilliance. Let us glow from within, like the firefly— not to dazzle, but to illuminate the path.

The Art of Living Well: Rehearsing Failure and Symbolic Death for a Successful Life

The Art of Living Well: Rehearsing Failure and Symbolic Death for a Successful Life

One of the best ways to set ourselves to success in any endeavour in life, is prepare ourselves the best for a potential failure. While it is true, with respect to skills, strengths and ability, it is better to strengthen our strengths than bridge the endless gap of lack of it. That does not work in the area of mindset and attitude.

How much ever we reframe ourselves with positive thinking and paper over those fears with hope, fear of failure, performance anxiety lies in some distant corner of our mind, like that potassium permanganate capsule. And the moment it gets burst in a beaker of water, it colours the water in no time. The same with that capsule of fear of failure / performance anxiety in the darkest recesses of our mind.

And only way we can purge it out of our system is, putting the 1000 lumens headlight of awareness right into it. All human transformations begin with awareness. In management parlance, there is a cycle of unconscious incompetence to unconscious competence. Unless we bring out what is there in our unconscious mind to the effervescent light of awareness, we will never be able to transform it.

This is where the ancient practices come alive. The way to do it is those Stoic exercises on death or Jesuit memento mori. While I learnt the Stoic exercise from the annual Stoic Week organised by University of Exeter, Fr. AMA taught me about the Jesuit practice of memento mori. Once we visualise what is the worst that can happen in our endeavour and then survive those torrid feelings in our body, it dissolves itself. The nervous system learns it has already “died” and returned. The capsule loses its potency. This is not just a mental reframing but a physiological release — the body itself learns freedom.

Athletes too have discovered this gate. Sports psychologists train competitors to rehearse failure — missed shots, falls, defeats — so that when the real contest arrives, the body does not recoil. The fear has already been faced. And Phil Jackson, the “Zen Master” of the Chicago Bulls, brought this wisdom to Michael Jordan, Scottie Pippen, and their teammates. He taught them meditation, breath awareness, and detachment from outcomes. In his method, the game was not just about winning but about presence. By rehearsing loss, by facing impermanence, the Bulls dissolved their fear and played with freedom.

I have been a student of spirituality and meditation for some 30+ years. And I did read quite a bit (in fact late Dr. Satish Inamdar, KFI Trustee and Director of The Valley School had said to me once, I will find my “way” when I stopped reading!) and did my quota of channel surfing and spiritual shopping in my life. And the search kind of ended while watching an NBA basketball match on TV in West Haven. Seeds of Zen were planted in my mind in the most unlikely of places. West Haven.

During June 1998. That was my first visit to the land of Baseball and Basketball. Both Greek and Latin games for me as a spectator. In the NBA final, Chicago Bulls were playing against Utah Jazz. What got my eye and attention was Chicago Bulls Coach Phil Jackson. There was an article in NYTimes that he used to make players like Dennis Rodman, who was an out and out rebellious, rule-breaking toughie, and Scottie Pippen and the larger-than-life Michael Jordan, all managed by the Zen Coach, Phil Jackson. I would have read and reread his book Sacred Hoops more than once. He was deeply spiritual with Native Indian and Zen philosophy. In fact, Jackson spent a large part of his life studying Buddhism and its principles, from his mentor Shunryu Suzuki. Jackson wrote, “What appealed to me about Zen practice was its inherent simplicity. It didn’t involve chanting mantras or visualizing complex images, as had other practices I’d tried. Zen is pragmatic, down-to-earth, and open to exploration. It doesn’t require you to subscribe to a certain set of principles or take anything on faith.”

Fourteen years later, in 2012, after my own experiments with truth and lies of spirituality, I did a hard landing into Bodhi Zendo and Zen, and real spiritual seeking started.

AMA Samy and Bodhi Zendo were different. I would compare Bodhi Zendo a bit with Esalen of Big Sur, CA. One of the most beautiful places of learning I had visited. It was not as regimented as a Vipassana session. It did allow a good amount of personal space to oneself. Sometimes a good conversation, a good joke and laughter at the dining table along with some yummy food, is as good as anything else in this world towards one’s spiritual seeking.

Secondly, AMA Samy had one of the best collections of books on spirituality, philosophy, theology and psychology I have seen in my life. (AMA seems to have read most of them.) When I was a full-time student of MA Education at APU Bangalore, I had to write a term paper on Phenomenology of Krishnamurti’s teachings as an assignment for Dr. Kaustav Roy. I was searching for a book of Heidegger at the Zendo library one December afternoon. AMA walked in to keep some book and he asked me what I was reading. When I explained to him my struggle with that phenomenology paper, he spent 15–20 minutes to sum it up for me like a précis. I ran back to my room, and jotted down in my notebook whatever I could remember. That assignment is one of the few for which I got an O grade. And getting it from Dr. Kaustav Roy was almost like a Fields Medal. 🙂

Thirdly and most importantly, no one demanded that the camel got to pass through the eye of needle test of Faith first and salvation later. The Kalama Sutta poster on the wall said it so succinctly: “Don’t blindly believe what I say. Don’t believe me because others convince you of my words. Don’t believe anything you see, read, or hear from others, whether of authority, religious teachers or texts.” And AMA Samy did practice it to every dot in the i and j and crosses in the t. Though he had a tough and rough demeanour as a Zen master, there was an endearing quality of integrity and compassion about the man. He took his spirituality and teaching seriously, not himself. That was absolutely refreshing to my tired seeking mind.

Even then, it took me 3 years to seek to be accepted as AMA’s Zen student. As the saying goes, once bitten twice shy and the cat which falls into a hot water tub will stay even from a cold water one. Heidi, a co-student of AMA in Japan with Yamada Roshi and later AMA’s student, spoke to me and asked me to join Bodhi Sangha.

And I did decide to seek to be accepted as a student of AMA Samy, after reading this passage in one of the books written by him:

“The master cannot give you satori; she/he is there to guide, to challenge, to test, to confirm. In truth, all the world is your teacher, the whole life of birth and death is the training field… Zen, therefore, is a teaching by negation, negating everything that the student supposes Zen to be, hoping that the student will realize that by not being any particular thing, s/he is everything; and that by not being any particular self, s/he is selflessly all selves.”

Coming back to our theme of this note: what emerges here is not just resilience, but antifragility — the capacity to grow stronger through stress and shocks. By rehearsing failure, we do not merely withstand adversity; we integrate it, and in doing so, we gain from it. The process unfolds as a living cycle:

Awareness → Acceptance → Integration → Freedom.

We move fear from the unconscious (where it controls us) to the conscious (where we can work with it). By mentally and emotionally surviving the worst-case scenario, we integrate the experience, and the capsule loses its potency. What remains is not naive hope, but a confident, grounded presence.

As the saying goes, hope for the best and prepare for the worst is the best strategy. Not pessimism, but resilience. In Zen terms, it is living with the certainty of impermanence while still planting seeds of joy and trust.

 

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